G. Michaud

Born: Active mid 20th century.

G. Michaud. Woodcarver. Sculptor. St-Jean-Port-Joli, Quebec. Active mid 20th century.

G. Michaud was a flat-plane woodcarver working in St-Jean-Port-Joli, Quebec in the 1940’s and 1950’s. He made painted carvings of Quebec figures in traditional costume and occupations. His work was well done and he usually signed with a chisel on the base of the carving. He seems to have stopped working around 1950. I know little else about this artist at this writing. An example is shown below with the mark.

A carving of a Sawyer with his crosscut saw by G. Michaud:

G. Michaud. Carving of a Lumberjack.

G. Michaud. Carving of a Lumberjack.

The mark of G. Michaud:

G. Michaud. Carving of a Lumberjack .The mark.

G. Michaud. Carving of a Lumberjack .The mark.

Another view of the Lumberjack carving:

G. Michaud. Carving of a Lumberjack .Detail.

G. Michaud. Carving of a Lumberjack .Detail.

 

Bernard Manzer

Born: Active mid 20th century.

Bernard Manzer. Painter. Weymouth, Nova Scotia. Active mid 20th century.

Bernard Manzer was a minister in Weymouth, Nova Scotia and a primitive painter of traditional scenesaround Weymouth. He used ‘as found’ materials and colours and often signed and dated his paintings. An example is shown.

An oil painting of Sleighs going to church by Bernard Manzer. Dated 1977:

Bernard Manzer. Weymouth, N.S.

Bernard Manzer. Weymouth, N.S.

Berbard Manzer’s mark:

Bernard Manzer. His mark.

Bernard Manzer. His mark.

A. Zinck

Born: Active mid to late 20th century.

A. Zinck. Sculptor. Woodcarver. Halifax, Nova Scotia. Active mid to late 20th century.

The mark ‘A. Zinck’ in script with a stamp: ‘Halifax’ in red ink is found on painted carvings of birds.

I have no other references for this artist. An example is shown below with the mark.

A painted carving of a Seagull marked: A. Zinck:

A. Fink. Carving of a Seagull. Halifax, N.S.

A. Zink. Carving of a Seagull. Halifax, N.S.

The Mark of A. Zinck:

A. Fink. The Mark.

A. Zinck. The Mark.

Sister Ann Ameen

Born: 1908  |  Died: 1996

Sister Ann Ameen. Fabric artist. Rug Hooker. Shearstown, Newfoundland. Active Mid to late 20th century.

Sister Ann Ameen made hooked rugs as a fund raiser and also as a way to spread her faith. Sister Ameen was originally a ‘showgirl’ who, after surviving cancer, returned to her native Newfoundland and opened a mission to work with troubled young women.  I am giving a reference here to an article on Ann Ameen and the art of rug hooking. Very much worth a read. Ref:https://ornamentum.ca/textile-artists-embrace-a-cultural-icon/

Many of her hooked rugs showed religious characters and sayings. She worked up to the end of her life and became very well known. An example is shown below.

I have given two other references below. The second one is an excellent and well illustrated article on the Rug Hooking Guild of Newfoundland.

Hooked Mat by Sister Ann Ameen. Shearstown, Nfld:

Sister Ann Ameen. Huuked Rug. Shearstown, Newfoundland.

Sister Ann Ameen. Huuked Rug. Shearstown, Newfoundland.

 

Ref: https://journals.lib.unb.ca/index.php/MCR/article/view/17994/21957

Ref: http://rhgnl.ca/about/history/

 

A. Magny

Born: Active Mid-20th century.

A. Magny. Painter. Montreal region. Active Mid-20th century.

Charming and primitive paintings by A. Magny are occasionally found. They are painted on Masonite of fiber-board and signed and dated in the lower right. They are painted in ‘as found’ oil colours. An example is shown below.

A. Magny. Primitive oil painting of a man in a red sleigh:

A. Magny. Quebec. Primitive oil painting.

A. Magny. Quebec. Primitive oil painting.

The mark of A. Magny:

A. Magny. The mark.

A. Magny. The mark.